The result is a quiet microphone with excellent headroom and, sensitivity. Make sure to listen to the combined signal summed to mono to catch potential comb filtering that could be caused by out-of-phase signals. It has become a go-to microphone at world-class studios such as Blackbird Studios in Nashville and Sear Sound in New York City. The sE Electronics X1 R is suited to a variety of recording applications including guitar cabs, overhead drums, brass, woodwind, strings, commercial broadcast and voice-over. This gives a consistent frequency response and greater flexibility with different preamps. Use the R84’s exceptional null points to isolate the R84’s pick up from other sources. 2. The AEA R84 uses a big, 2.35″ by 0.185″ by 2-micron pure aluminum low-tension ribbon element just like the classic R44. resonance is very low, 16.5 Hz rather than a more usual 40-60 Hz. If you are recording with the back lobe of the R84, it is important to invert the polarity on the preamp or DAW. Whether as an overhead configuration, or mono drum room, the R84’s extended low end and smooth high end gives your drum sound that thickness, warmth, and detail without unintended harshness. On grand piano we have found two positions to be particularly useful: 1. To achieve a balanced string group sound, try placing the R84 5 to 8 feet (2-3 m) away (either in front or above) from the section. Identify where the center of the speaker cone is located, and place the R84 4 to 8 inches (10-20 cm) away from the speaker. The R84’s warm and detailed characteristics make it a great focus mic for brass and woodwinds. The R84’s smooth treble response is great at preserving these frequencies without aggravating the striking tonal qualities. Pointing the mic at the center of the cone will deliver a very direct, “in-your-face” sound. The R44, R84, and R84A all share a big, 2.35-inch by 0.185-inch … When recording a solo acoustic guitar a good starting point is to position the R84 4 to 8 inches (10-20 cm) away from the guitar roughly pointing at the 12th fret or where the neck meets the body. The R84 is so multi-faceted, that it has become a studio standard, having been used on the following award-winning projects: Turtle Island String Quartet, A Love Supreme (Best Classical Crossover Grammy, 2008); Los Tigres Del Norte, MTV Unplugged (Best Regional Mexican Grammy and Best Norteno Latin Grammy, 2011); Juanes, MTV Unplugged (Best Latin Pop Album Grammy, 2012); The Zac Brown Band, Uncaged (Best Country Album Grammy, 2012). The 2 micron thin ribbon's mass well match-. The R84 is a passive ribbon microphone that shares many of the unique sound characteristics with its historic predecessor, the R44. Our experience with the R84 is that it sounds best on vocals when used at a distance between 6 to 24 inches (15-60 cm). Many ribbon mic manufacturers choose shorter ribbons that are easier to install, but AEA’s Large Ribbon Geometry design offers important advantages. Page 1 Buying an AEA R84 or A840 demonstrates your interest in continuing this tradition of quality sound. transformer developed by Per Lundahl at Lundahl in Sweden without reference to the RCA tradition. These aspects, combined with the reduced proximity effect, make the R84 incredibly well-suited for both close-up and ambient mic applications in medium-sized rooms. A bright brass grill and thumbnuts identify the A840 from a distance. It is common to pull the mics farther out of the piano than you would with a pair of condensers. However, you may find that positioning the microphone closer or further away from the singer yields better results depending on the voice, the room or the musical style. Classic passive ribbon mic inspired by the 44. XLR and engraving on the logo band identifies it as requiring 7 mA of P48 phantom power. Your microphone is supplied as a complete system that includes an integral cushion mount / stand, adapter, an attached three-meter "star-quad" mic cable, and a custom case. The R84 is a large-geometry ribbon microphone with a bidirectional pickup pattern, inspired by RCA’s classic ribbon, the RCA 44. – Same Big Ribbon, tuning, and transformer as the R44 series The LF response is about 2.5dB down by 20Hz, falling smoothly and progressively. With the improvements in technology and manufacturing since the thirties and forties, we decided to re-engineer the entire package to be more efficient, lighter and less expensive, inspiring Wes to affectionately call the R84 the “R44 for us married guys.” The result is a new microphone with a classic sound. Buying an AEA R84 or A840 demonstrates your interest in continuing this tradition of quality, The frequency response of the R84 and A840 is the same. Beyerdynamic M160 – Double Ribbon Microphone, M160 Dynamic HyperCardioid Ribbon Microphone with Double Ribbon Transducer & Pure Aluminum Diaphragm, Studio Ribbon Microphone, Figure 8 polar pattern, with flat frequency response from 30Hz to 15,000 kHz, Dynamic Dual Ribbon Microphone with Figure-8 Polar Pattern & Pure Aluminum Diaphragm, Check out our top-selling, professional audio brands. This gives a consistent frequency response and greater flexibility with different preamps, including those found in audio interfaces for personal computers. The result is a sound that many engineers say is astonishingly close to what their ears hear when you’re actually standing in the studio. The A840 is delivered in a smaller version of the R44/A440 cloth covered, armoured case. Depending on the instrument’s dynamic range, we recommend starting by positioning the R84 12-24 inches (24-60 cm) away from the source. They use different transformers so there are some sonic differences. The frequency response of the R84 and A840 is the same. Soprano saxophone, trumpet, and most high- pitched brass and woodwind instruments are known to have “edgier” or “brilliant” frequency characteristics. These techniques and audio samples apply to both the R84 and R84A. This is the spot that will obtain the most high-frequency content. You will need to remove the lid of the grand piano. AEA R series handle very, high SPLs, above 1 k Hz they handle over 165 dB SPL. A red label at the. For mono drum room, start by positioning your R84 at head level 9 feet (3 m) in front of the kit. This position will yield a very natural, hi-fi sound. little with frequency, so there is less sonic interaction between the mic, the mic line and the preamp. The R series transformer was developed by Ken Reichenbach at Cinemag to, match the sound of our reference RCA studio ribbons. Spaced pair of R84s looking at the hammers in the front. Most AEA ribbons are tuned to 16.5 Hz, and because the R84 shares the same Big Ribbon as the rest of AEA’s product line, you will achieve a sound that is smooth, natural and free from any of the uncomfortable resonances that shorter ribbons and condensers can exhibit. To capture an authentic and balanced electric guitar tone with your R84, place the mic directly in front of the amp grille. If it sounds too harsh, try moving the microphone slightly off center of the speaker cone. This website or its third-party tools use cookies, which are necessary to its functioning and required to achieve the purposes illustrated in the cookie policy. You will find that small differences in positioning can make huge differences in the sound, so experiment until you find the spots you like. R84s in a Blumlein configuration (coincident pair at 90 degree angle) positioned at a distance of 10 to 15 feet (3-5 m) from a string section will capture a deep and wide image. 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