AEA’s classic Big Ribbon sound is at the heart of both of these microphones. I was able to download the files without incident, including not getting sent to Fling.com. Hey there! Another interesting thing I heard was that even though the R84 sounds muddy in comparison on most of the clips, the low end is much more rounded and not as harsh as the R92. The R84 in particular has already developed a solid reputation, which has seen the mic grow rapidly into a virtual industry standard. There is a place and purpose for each of these microphones. The proximity effect of the R92 is present when the mic is within 6 inches of the source. I was kind of dumbfounded at my choice for a minute until I started to recall a lot of discussions I had seen on the forum and a conversation with the guys over at Mercenary Audio. Though both the R84 and R92 are versatile enough to record just about anything, one might wonder which of the two will serve them best in their specific environment. The AEA R84 is sort of a lightweight R44, with the same long-geometry ribbon but a different magnet structure. AEA produces an extensive line of ribbon microphones with varying effective distances. AEA's popular R84, on the other hand, has its flattest response much closer to the source-in the 2 ft range. If you need a close mic on a guitar amp, try an R92. This is in a studio where the most powerful amp is a 50 watt Marshall Stack. Ribbon Mics... r84 vs. r92 vs. r-121 on overheads and gutiars. The R84 delivers the classic sound of the 44 in a more compact, lightweight body. I spoke to someone and they felt the Royer more sturdy for the job. Send big files the easy way. The R92 was the first near-field microphone we developed, and its optimal recording distance is anywhere between 1 and 18 inches from the source. AEA R92 -vs- R84? Most vintage ribbon microphones are spectrally balanced for medium and distant placements, principally because their inherently large proximity effect precludes close miking. The new R92 employs AEA's Large Ribbon Geometry design, like the R84, but this new model has been optimised specifically for close-miking applications. The R92 on the other hand is kind of like the back side of a Royer 122 and has a more modern and balanced sound and is not as prone to proximity effect as most ribbons. Again, all the clips were of the mic placed close to the sound source. The R92 was designed in response to requests (from some guitar-playing AEA employees) for a mic that would sound great for recording guitars when placed right up against the amp grill. AEA R92 -vs- R84? Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. The R84’s optimal recording distance is anywhere between 2 and 6 feet from a source, though the R84 is also a capable room mic, delivering a balanced treble/bass ratio from as far as 15 feet away. The AEA R92 was designed with reduced proxmity effect, enabling it to … Like its forbearer, the R84 provides generous warmth and richness of tone, but with more extended top-end. When recording drums, cymbals can produce harsh high frequencies that would benefit from the smoothness of the rear-side of an R92. After hearing a lot of different sound samples found on this forum and other places, I had decided I liked the R84 better then the R92. Front End Audio | Your Ultimate Pro Audio Dealer | 888-228-4530. (I'll certainly have to check it out sometime, though, now that you've brought it to our attention...). This effect can take a thin-sounding source and give it the warm low-end necessary to bring balance to a mix. I think it sounds basically flat, at least to my ear, when you get about 15-18" away. This mic gets frequent use at the Disney Character Voices studio. Additionally, if the instrument or vocal you’re recording sounds thin, you can move the R84 within 18 inches of the source to take advantage of its low-end proximity effect. AEA’s slick, retro-looking R84 ($1,000) is the newest mic indesigner Wes Dooley’s product line. Files too large for email attachments? Post by Recycled_Brains » Mon Sep 25, 2006 6:27 pm i'm currently exploring some ribbon mic options and am wondering if anyone could offer any experience related info./comparisons between these the R92 and R84 models. ©2020 AEA Ribbon Mics & Preamps, All Rights Reserved, proximity effect can boost the low-end frequencies. The R92 was designed in response to requests (from some guitar-playing AEA employees) for a mic that would sound great for recording guitars when placed right up against the amp grill. The third and latest microphone to be added to the company’s small but well-credentialed inventory is the R92. Though the R84 and R92 cut similar silhouettes, each microphone has … I'm having trouble deciding on a pair of matched ribbons. Understanding the distinct qualities of each microphone is essential when it comes to deciding which of the two will best serve the instrument you are recording. If you’re recording an orchestral ensemble and you want to incorporate room ambience, reach for the R84. I can't believe no one is commenting on this, I thought AEA's were hot here. A feature of the R92 that distinguishes it from any other AEA mic is a ‘dual-tone’ functionality that results in two distinct sounds from the front and back of the mic respectively. I've been reading a lot of threads on these three in particular, and while I had originally settled on a matched pair of Royer R-121s, I'm not so sure anymore. If you want to capture a full sound of those drums in the room, try using the R84 as a front-of-kit mic. The R84’s proximity effect can boost the low-end frequencies of any source within 18 inches of its position. Pictures Of Mic'ed Up Drum Kits In The Studio. AEA R84 $1000 Fletcher's web site describes the R92 as good for placing fairly close to the grill. i'm looking for a ribbon that would work well on both acoustic and electric guitars, as well as female vocals and OH/Room mic. ... a ribbon mic of the calibre of the AEA R92 is highly recommended. i've been reading the … The choice between ribbon microphones can depend on the size of a space or the available distance between instruments when tracking live. Similar in sound to the AEA R84, but with a more pronounced midrange and minimized proximity effect, the R92 performs brilliantly when up close to brass, guitar amps, kick drum, and percussion. I just recorded a proximity effect test tonight with my R84. When you buy products through links across our site, we may earn an affiliate commission. AEA's popular R84, on the other hand, has its flattest response much closer to the source-in the 2 ft range. The choice between the two is dependent on the distinct needs of a project or environment. AEA’s popular R84, on the other hand, has its flattest response much closer to the source — in the two-foot range. Sensitivity of the R84 is -52dBV/Pa, and unlike its big (and much heavier) brother, the R44, the R84exhibits an impressive frequency response that gets up to 20 kHz(±3 dB). Slick, retro-looking R84 ( $ 1,000 ) is microphone to be added to the company ’ s the?! To check it out sometime, though, now that you 've brought it to our attention ). Placing fairly close to the grill of any source within 18 inches of the 44 in a compact. A 50 watt Marshall Stack particular has already developed a solid reputation, has! 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