Julius Caesar is the first in a trilogy of all-female Shakespeare productions staged at the Donmar (2013-2017) and then transferred to St. Ann’s Warehouse. “The fault, dear Brutus, is not in our stars, but in ourselves,” says Cassius, reminding us to look within – and then make a change. She falls in love with Onegin but he just wants friendship.
The Shakespeare Trilogy is free to watch on-demand, no registration required. The violent fight scenes – staged by Kate Waters – are terrifying.
I can not wait to embrace it once again for its inventiveness and bravado, especially in the very stupendously talented hands of Lenk, LuPone, and all the other talented souls that wait offstage for their entrance, eagerly and hopeful, all led by the genius of Elliott. #woo-content h2,
LuPone wondrously sang that song with a sweet nod directly to Stritch’s red hat stating, “I’ll drink to that!” and in London, I got my chance to do just that. Times Square may be the tourist hotspot of North America, but New York residents are the community members who live and breathe city life and make dedicated readers. Shot in front of a live audience in London at the Donmar Warehouse King’s Cross in December 2016, the films were edited to include separately shot, hand-held and GoPro footage, breaking the formality of the traditional live camera “capture” of stage productions and bringing the audience into the center of the action with thrilling immediacy.
Stay home.
It’s hard to remember that when watching today, but in that historical context, this production amazes and redefines. }
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Bobbie’s sexuality remains entirely heterosexual and decidedly authentic, giving her freedom of choice and a particularly strong sense of self. .woocommerce #respond input#submit,
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Directed by Donmar Artistic Director Michael Longhurst, the piece is about a mother-daughter relationship and centres on Judy, retired London lawyer who communicates with her Palastine-based daughter online. It’s a tense and thrilling moment to take in, all recorded with a live orchestra backing them up, and available now on YouTube. .woocommerce-page input.button.alt:hover,
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No one can compare, no one. ul.ubermenu-nav li a,
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FAVORITE PLAYS (that’s more difficult—there have been so many and they are all so different):
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In partnership with the Department of Education Arts Office Theater Program, we are offering a one-time-only interactive WORKSHOP on director Phyllida Lloyd’s transformative vision of JULIUS CAESAR to Middle / High School Students with teaching artist Marisol Rosa-Shapiro. .woocommerce a.button.alt,
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Esparza’s powerful and emotional voice takes “Being Alive” to a whole different level, forcing each line’s inner struggle to be laid out magnificently before us one beat after the other. ul.tabber-header li.active,
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It is unfair to compare, but I found it almost impossible not to. .theiaPostSlider_nav.fontTheme ._title, display: inline-block; Luckily for me the theatrical Gods must have heard my cries (or were they curses?). The male partners shine with “Sorry-Grateful“, beautifully and elegantly performed by Gavin Spokes as Sarah’s Harry, Richard Henders as Jenny’s David, and Ben Lewis as Joanna’s Larry. background: -moz-linear-gradient(to left, #ffffff, rgba(255,255,255,0));
So how would Joanne push Sondheim’s new female Bobbie to arrive at the astonishing realization and say the important line, “but who will I care for?” In pre-show discussions with other theatre junkies, I thought that Bobbie needed to be bisexual in nature for Joanne’s proposition to work, and it would if they formulated Bobbie’s sexuality into something that is more fluid and bi-curious. This scene is everything and this Company and it’s Bobbie leaps beyond the original into a stronger universe of understanding and meaning. }
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font-size: 48px; Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. You’re just a very special girl…June!,” says Bobby. }
It’s an epic and troubling whirlwind of internalized thoughts in manic smart motion. But we must be patient, and hold our breath, knowing that this version of Company has to and must land once again on Broadway. It feels honest and heartfelt in a way that I haven’t heard before and is deviously unique and detailed in thought and deconstruction. .widget-split-right a:hover,
It could have been a compelling and fascinating exploration of power and sexuality in the modern world (and from what I hear through the grape-vine, LuPone suggested it more than once). And not because you’re bright…Not just because you’re bright.
Limited company registration no. But we must be patient, and hold our breath, knowing that this version of Company has to and must land once again on Broadway. .add_to_cart_button,
It’s an epic and troubling whirlwind of internalized thoughts in manic smart motion. Esparza and that song live on in my personal theatrical history, making it hard to see the clever expansion that was happening at Donmar Warehouse in 1995. .social-bottom {
But rather than pursuing theater as a career (I did produce and design a wee bit), I became a self-proclaimed theater junkie and life-long supporter. .woocommerce-page div.product form.cart .button,
height: 390px; Several of the show’s iconic numbers are captured, including the magnificent Pamela Myers singing “Another Hundred People“, Beth Howland slaying “(Not) Getting Married Today“, and Elaine Stritch struggling through a rendition of “The Ladies Who Lunch” in the wee hours of the morning at the tail end of the recording session. In a performance taped at Donmar King’s Cross in London (December 2016), we first see the cast being led by prison guards (played by company members) down a cement path along a brick wall, through steel gates, and into an arena-like space within the prison complex (designed by Bunny Christie) where they perform the play before a live audience. “Knock, knock, is anybody there?” Comparing one with another could almost drive a person crazy.
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Slings and Arrows – The Best TV Show to Stream on YouTube, Hands Down. #menufication-top,
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Both the Donmar Warehouse and the Royal Court are staging plays that are under three-quarters of an hour long. And remember: read, like, share, retweet, enjoy. They pretty much ask the same revolving questions that around swirl the hearts of many, in regards to partnership and commitment. background-color: #00aeef;
There is a forward-thinking force within this construct that back in the day was revolutionary, reformulating Company into something it should have always been.
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